
CONGUERO, PERCUSSIONIST,
COMPOSER
official website -
myspace page

Master Conguero,
Percussionist, Producer, Composer, Solo Artist July 17, 1945 -
September 29, 2008
Biography
One man's trash is another man's treasure. Nothing could be truer for Norman
Hedman and the discovery of his first hand drum, a conga, he rescued from a
Brooklyn garbage can. A native of the West Indies, Hedman instinctively knew
how to repair the conga at age 12 and has been playing music ever since.
Background
Today, the music of this first call percussionist, solo artist, producer,
and composer, gathers multi-genre music connoisseurs around the globe.
Attracted to Hedman's number one hits with broad appeal, audiences discover
his passion for accessible music. "I think music heals, and Tropique's music
falls into that category; whether you're a teen or 80 years old," says
Hedman. From Latin Jazz to RNB and Pop, Hedman's commercial recognition is
widespread. His extensive product pedigree includes a variety of hit
projects:
Music Accomplishments
Number One Hits
Songs in A Minor, Alicia Keys (5 GRAMMY ® Awards)
Fear of Flying, Mya (Platinum Album)
I Aint Movin, Desree (Multi-Platinum Album)
Brass Construction, Brass Construction (Gold)
Walkin - the Line, Brass Construction (Gold)
Movie Soundtracks
Ali Fight
Shaft Rock With U
Dr Doolittle 2 Rearview Mirror
Grammy Nomination List Best Latin Jazz Album
One Step Closer Norman Hedmans Tropique
Taken By Surprise Norman Hedmans Tropique
Norman Hedman's Tropique
After accumulating much of his own material, Norman Hedman founded Tropique
in 1995. His percussion instruments continue to lend themselves to Latin
jazz and island flavors. This dance-based genre makes use of timbales,
cowbells and congas. Even though several band members play horns, the focus
is on percussion.
Hedman and his accomplices captured the attention of the Recording Academy
in recent years on two albums. "Taken By Surprise" and "Healing Hands" were
both on the nomination list for a GRAMMY (r) Award.
Hedman Defies Boundaries of Musical Categories
Chances are if you migrate to more than just one musical genre, then you
will love Norman Hedman. A world-class conguero since the early 1980s, the
rhythms of studio extraordinaire, Norman Hedman, cross breezy island grooves
infused with Latin jazz traditions. Often times, Hedman's music is also
characterized as 'world' or 'alternative' music. "That's what Tropique is
all about - a lot of different styles rolled into one," Hedman says with
excitement. New and inventive concepts, clean, tight lines and original
compositions are now his irresistible hallmark of success.
It's difficult to put Hedman's music into just one category, yet he has not
abandoned his heritage. Hedman maintains the rhythmic value of Latin music.
"I'm a player first. I like rhythms and melodies," he remarked. There is no
doubt Norman sets the pace for Latin induced rhythms.
Traditional Instruments Used in Non-Traditional Ways
Although Tropique's rhythmic structure is considered typical Latin, they do
not play in the tradition of Latin. Hedman presents his music in a different
way. RNB is at the core of his music's influence on bass and vocals. Inside
a composition, the percussive parts continue to carry a traditional approach
to tropical music with Latin sensibilities. This unconventional fusion of
multi-cultural rhythmic structures earns Norman Hedman even broader
appreciation. As a result of his association with great jazz artists, and
through his own use of the rhythmic and harmonic influences from Africa,
Hedman brings the non-traditional use of Afro-Latin idioms together, yet
expresses it with a fresh twist. Clearly, this Latin jazz band sets the
standard in exciting performances and ground breaking recordings.
Benefits
Norman Hedman's music makes you feel good. Imagine blue skies, and a music
that enables you to forget your troubles and release stress. Not only did
Hedman identify a multi-genre music void with tropical influences, but he
continually delivers quality music for the masses. Through focus,
determination, and teamwork, Hedman found his passion and built a business
around it.
Before forming Tropique in 1995, Hedman found work as a studio musician
after leaving the military service. For two years while in the service,
Hedman played with the Third U.S. Army Soldier Show in South Carolina. And
just one year prior to entering the military, Hedman graduated from Brooklyn
College with a business major in marketing.
Guilty By Association
Over the past 25 years, Norman Hedman has worked with many world-class
artists in the multiple genres listed below:
Jazz
Arturo Sandoval; Nancy Wilson; Bobby Watson; Grady Tate; Pat Martino; Chico
and Vaughn Freeman; Arthur Blythe; George Cables; John Hicks; Gary Bartz;
Ahmad Alladeen; Giovannie Hidalgo; Hilton Ruiz; Arthur Blythe, Horacee
Arnold; Airto Moreira; Monguito Santamaria; Delmar Brown; Lew Soloff and
Marcus Miller.
RNB / Pop
Alicia Keys; Main Ingredient; The Jacksons; New Kids on the Block; Daryl
Hall; Luther Vandross; The Spinners; Des'ree; Mya; Sister Sledge; Jean Carn;
Adrienne Wilson; Earth, Wind and Fire; Brass Construction; Skyy; New Birth;
Night Liters; Colors; Charisma Band; Boobie Knight and The Soulciety; The O'Jays;
Cuba Gooding, Sr.; and Katherine Dunham.
The Man
Norman Hedman resides in Northeast part of the United States with his
family. The entire Hedman clan is successfully involved in the entertainment
industry.
With a brown belt stashed in his desktop drawer, Hedman is far from your
typical percussionist. He enjoys working with computers, riding horses, and
the great outdoors. Best of all, this weaver of irregular, rhythmic
rhapsodies brings honesty and integrity to everything he does.

VIDEOS
NORMAN HEDMAN'S TROPIQUE - LIVE IN STUDIO
NORMAN HEDMAN'S TROPIQUE - PA'BAILAR

NORMAN HEDMAN'S TROPIQUE - GARDEN FORBIDDEN
FRUIT (2006)
many thanks to DeBlaze and Associates
Norman Hedman (Congas & Percussion)
Willie Martinez (Timbales)
Ron
Monroe (Bass)
Misha Tsiganov (Piano)
Craig Rivers (Flute)
Alexei Tsiganov (Vibes)
Sam Furnace (Alto Saxohone)


review by Terry Perkins
review by Michael P. Gladstone
review by Donna Kimura
more
tracks can be heard on Vinilemania's Radio Channels


