TRUMPETER, COMPOSER, BANDLEADER

Mario Bauzá (April 28, 1911 in Havana, Cuba - July 11, 1993 in New York City) was one of the most influential figures in the development of Latin jazz or as he referred to it, Afro-Cuban ("Latin" Music, a term created in the 1960s to take Africa out of the music).

Trained as a classical musician, he played oboe and clarinet in Havana. After emigrating to New York at age 19, he reputedly learned to play the trumpet in two weeks and earned a spot as a player in Chick Webb's orchestra. But it was in Cab Calloway's band that Bauzá met fellow trumpet player Dizzy Gillespie. Gillespie and Bauzá worked together for several years. The fusion of Bauzá's Cuban musical heritage and Gillespie's advancements in bebop eventually culminated in the development of cubop, one of the first forms of latin jazz. Bauzá's outstanding work has led many jazz historians to call him the "founding father of Latin jazz."

Bauzá later worked with other notable artists including Ella Fitzgerald, Don Redman and Cab Calloway, and eventually worked as the musical director of the Afro-Cubans in 1941, led by his brother-in-law Machito, a position he maintained until 1976. He led his own band in the 80s and early 90s.

Source: Wikipedia, the free encyclopedia

MARIO BAUZA AND HIS AFRO-CUBAN JAZZ ORCHESTRA - TANGA (1992)

Mario Bauza (conductor)

Rudy Calzado, Thelma Ithier, Jose Joaquin, Romulus Murrell, Nat Jones (vocals)

Rolando Briceno, Eddie Alex (alto saxophone)

Enrique Fernandez (tenor saxophone, flute)

Doris Rivera, Jerome Richardson (tenor saxophones)

Pablo Calogero (baritone saxophone)

Victor Paz, Ross Konikoff, Stanton Davis, Larry Lunetta (trumpets)

Conrad Herwig, Gerry Chamberlain, Bruce Eidem, Douglas Perviance (trombones)

Nathan Durham (bass trombone)

Marcus Persiani (piano)

Guillermo Edgehill (bass)

Bobby Sanabria (drums, timbales, cascara)

Juan "Papo" Pepin (congas)

Carlos "Patato" Valdez (congas, guiro)

Joe Gonzales (bongos, cowbell)

review by Chip Boaz