JANE BUNNETT (FLUTES & SOPRANO SAX)
Jane Bunnett, the
Toronto soprano saxophonist, flutist and bandleader, has built her
career at the crossroads between Cuban music and jazz. Twice
nominated for Grammy awards and a fixture of the nominations for
Canada’s Juno awards, she has turned her bands into showcases for
the finest musical talent from Canada, the United States and Cuba.
Paquito D’Riviera, the great Cuban saxophonist, has said of her:
“Jane is brilliant and she’s been trying so hard to play the real
thing. What she’s doing is valid and legit.”
Bunnett’s startling new album, Red Dragon'Fly, is the most ambitious
expression yet of her very personal Cuban-jazz fusion: a strongly
melodic selection of tunes from a half-dozen nations, backed by the
Penderecki String Quartet and performed by Bunnett’s own band, which
these days features the formidable 21-year-old pianist David
Virelles.
Bunnett has come so far. She’s ready for the next step. Yet in the
beginning, all she wanted was a cheap vacation.
It was 1982. Bunnett and her husband, the irrepressible trumpeter
Larry Cramer, had a Toronto winter to avoid and as much disposable
income to spend on their vacation as jazz musicians generally do —
not much. Cuba looked like a good deal. They booked a flight. And
their lives changed forever.
What everyone knows now, thanks to Buena Vista Social Club and other
recent events — that Cuba is home to an incredibly rich musical
tradition kept alive by a vital and ageless musical tradition — had
somehow faded from North Americans’ memory in the early 1980s. It
sure came as news to the vacationing Torontonians. Everywhere
Bunnett and Cramer went they found drummers whose command of
rhythmic complexity dwarfed anything you’d hear back home; horn
players who deployed amazing dexterity in the service of
heartstopping lyricism; pianists who could make any decrepit old
upright roar like doom or sing like a heart in love. No fools, they
took out their horns and played along. And, realizing how rich and
challenging all this music was, they made quick plans to return and
study some more.
By the early 1990s Bunnett had become a regular and visitor to
Havana’s music venues; she was incorporating Cuban musicians,
beginning with the pianist Hilario Durán, into her Toronto bands;
and she had released her first Cuban-influenced album, 1991’s
Spirits of Havana.
Since then Bunnett has moved from strength to strength, touring
internationally and recording a string of critically lauded albums.
Her comfortable house in Toronto’s west end has become a home away
from home for a growing number of extraordinary young Cuban
musicians who’ve migrated to Toronto.
Red Dragon'Fly is both Bunnett’s most ambitious project to date, and
her most tuneful and emotive. “The body of work on this recording is
made up of songs that we have loved for years — some even from
childhood,” she says. The string arrangements — some from young
Virelles, others penned by the veteran Toronto multi-instrumentalist
Don Thompson — give these folklike tunes from Japanese, Canadian,
American Indian and other traditions the feel of chamber music.
Bunnett, playing only soprano saxophone, is cast sometimes as lyric
lead balladeer, sometimes (as on the Canadian folk tune She’s Like a
Swallow) as a bold and surprising jazz soloist. Most of the material
is ancient; Bunnett’s choices and the contexts in which she places
these tunes is consistently fresh. For just one example, consider
the way Virelles’ arrangement of the South African anthem Nkosi
Sekelel I’Africa evolves from mournful to defiantly playful in the
space of a few minutes. Or the way Thompson’s string setting recasts
the Japanese folksong Moon Over Ruined Castle in territory closer to
French Impressionism than anything familiar. “This is something new
from us,” Bunnett says. In a way, Red Dragon'Fly is her emancipation
proclamation: she’s spent her career mastering the musical
traditions of countries close to home, but now she’s making the
whole world her study. Which means it’s time the whole world got to
know her
VIDEOS
JANE BUNNETT & THE SPIRITS OF HAVANA - EL RIO/THE RIVER
JANE BUNNETT & THE SPIRITS OF HAVANA IN HUNGARY
more videos
JANE BUNNETT - RADIO GUANTANAMO: GUANTANAMO
BLUES PROJECT VOL.1 (2005)
Jane Bunnett - Flutes
& Soprano Sax
Larry Cramer - Trumpets
Dewey Redman - Tenor Sax
Howard Johnson - Tuba
Jumpin' Johnny Sansone - Guitars & Harmonica
Kevin Breit - Guitars
David Virelles - Piano
Kieran Overs - Acoustic Bass
Denis Keldie - Organ
Tiburon Morales - Vocals
Jalidan Ruiz Castro - Congas & Timbales
Ethan Ardelli - Drums
Paisan Mallett - Trumpet
Carlos Tomas - Trumpet
Grupo Changüi de Santiago
Grupo Changüi de Guantanamo

MANY THANKS TO EMI MUSIC CANADA
review by Joyce Corbett : JANE BUNNETT - RADIO GUANTANAMO: GUANTANAMO
BLUES PROJECT VOL.1 (2005)
review by George Kanzier : JANE BUNNETT - RADIO GUANTANAMO: GUANTANAMO
BLUES PROJECT VOL.1 (2005)
review by Jeff Dayton-Johnson : JANE BUNNETT - RADIO GUANTANAMO: GUANTANAMO
BLUES PROJECT VOL.1 (2005)
review by Don Williamson: JANE BUNNETT - RADIO GUANTANAMO: GUANTANAMO
BLUES PROJECT VOL.1 (2005)
1. Changui Para Alfredo
2. Give Me One Dollar
3. Kiriba
4. Guantanamo Blues (Part 1)
5. Loma De Chivo (Part 2)
6. You Have Changed My Life
7. No Money, No Chica
8. Conga Blue
9. New Orleans Under Water (Nueva Orleans Bajo
Agua)
10. Yemaya
11. Vamos Para Guasa Compay (Let's Go To
Guantanamo, Man)
more
tracks can be heard on Vinilemania's Radio Channels
