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ROBIN McKELLE - INTRODUCING ROBIN McKELLE (2006) Robin McKelle: vocals; Wayne Bergeron, Gary Grant, Don Clark, Willie Murillo: trumpet; Andy Martin, Charlie Morillas, David Stout: trombone; Paul Klintworth: French horn; Gary Foster: clarinet; Bob Sheppard, Brian Scanlon: alto saxophone, clarinet; Ray Herman: tenor saxophone, clarinet; Glen Berger: baritone saxophone, clarinet; Mark Visher, Pete Christlieb: tenor saxophone; Larry Koonse: guitar; Quinn Johnson: piano; Reggie McBride: bass; Bernie Dresel: drums, percussion; Kathleen Robertson: concertmaster; Robbie Wycoff: vocal; others (strings).
4. For All We Know 5. You Brought A New Kind Of Love 6. Dream 8. Deep In A Dream 9. I've Got The World On A String 10. Come Rain Or Come Shine 11. The Lamp Is Low 12. On The Sunny Side Of The Street
more tracks can be heard on Vinilemania's Radio Channels
review by Marcia Hillman - courtesy www.allaboutjazz.com Robin McKelle’s debut CD is a blast of fresh air from the past. Introducing is done from the stance of a band singer from the 1940s in musical format and material, logical since most legendary jazz and pop singers learned their trade that way. Most of the tracks are read in standard fashion--the band taking the opening choruses and the vocals coming in on the second, with strings added on the ballads. Many of the arrangements come right out of the Nelson Riddle book (especially the riffs on “On The Sunny Side Of The Street”). The instrumental solos are tasty and tasteful especially Pete Christleib’s tenor on “For All We Know” and “Dream.” McKelle can belt, but she’s also able to display a softer side of her vocal ability. “Bei Mir Bist Du Schoen” (a pop hit in the 1940s along with “Yes, My Darling Daughter”) shows off a little-girl vocal quality. The song has been treated with some salsa courtesy of arranger Willie Murillo and features an effective trumpet solo by him as well. In keeping with the “big band” formula, the CD even features a boy vocalist/girl vocalist duet. On “You Brought A New Kind Of Love To Me,” McKelle is joined by Robbie Wycoff, whose smooth voice sounds uncannily like Nat Cole’s. McKelle does well with both ballads and up-tempo tunes and, wonder of wonders, you can understand every word she sings. She likes to play around with the melody but it might be better if she established it more solidly before making it interesting. But all in all, this is a delightful CD with a time honored way to introduce a new vocalist. Enjoy this one and look forward to McKelle’s future offerings.
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