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HECTOR CONTRERAS & HIS LATIN JAZZ ENSEMBLE
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Alex Garcia's AFROMANTRA - UPLIFTING SPIRIT (2006) Ole Mathisen (Sax) Pablo Vergara (Piano, Rhodes & Keyboards) Waldo Chavez (Bass) Aryam Vazquez (Perc) Alex Garcia (Drums & compositions) Guest musicians: Manuel Valera (Piano & Rhodes) Desmar Guevara (Piano) Jorge Fernando Rodriguez (Guitar) Jorge Castro (Sax) Jorge Bringas (Bass) Yordamis Megret (Vocals)
Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 01-The Uplifting spirit of our Soul Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 02-Cancion Latinoamericana Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 03-Luna y el Sol Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 04-A Emiliano Salvador Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 05-Por ti Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 06-Nuevo amanecer Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 07-Yemayà, Diosa del Mar Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 08-Suenos de Otono Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 09-Green Horizons Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 10-Lighting the world Alex Garcia's AFROMANTRA Uplifting Spirit (2006) 11-Mi palabra
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courtesy www.jazzreview.com by: Lorelei Clarke This is Afromantra’s third album, and this mix of bop with Afro-Cuban and South American rhythms does not disappoint. Alex García, the group’s leader and enthusiastic drummer, gives us another great set of original compositions and arrangements, each exhibiting the group’s unique sound. Overall, the combination of different influences along with superb musicianship makes this an album worth listening to.
“The Uplifting Spirit of Our Soul” definitely is uplifting with its bright tempo and opening piano line. The melody line, played on sax by Ole Mathisen, occasionally breaks down from the tight, punctuated groove it begins as into a romp through free space for him and pianist Pablo Vergara. Garcia takes a drum solo while Vergara and bassist Waldo Chavez continue their vamp. The piece then returns to a wilder version of the melody line, drawing on Garcia’s drums for the closing statement.
“Canción Latinoamericana” begins with a mambo-like rhythm that develops into Mathisen’s singsong melody line. The rhythm section backs him up flawlessly, tightly playing each punctuated background statement. Vergara takes a melodically inspired solo, followed by a more subdued bass solo by Chavez. As Mathisen takes his turn, the heat gets turned up and the rhythms beneath his soprano become more complex and layered. The piece grows from there to crescendo into a warm, lasting chord.
“Luna y el Sol” is a beautiful ballad, beginning with a lyrical piano line that is eventually joined by bass and drums, as well as the trilling soprano sax. The drums speed up the tempo and the sax takes over the melody and the tune takes on a light, capricious air that bellies the somber mood of the opening line. The piece ends rather suddenly, fading off at the end of the phrase into silence.
While spiced with Cuban, Latin and South American sounds and rhythms, this group’s jazz influences are easily heard, both in structure and in soloing. Each track is in a slightly different style and features different points of the group. The musicianship is at a high level, the playing on every track is extremely tight, and the improvisation is inspiring. Overall, a great album. |
RAY BARRETTO
ARTURO SANDOVAL
HECTOR LAVOE
WAYNE GORBEA
CARLOS PATATO VALDES
JUAN PABLO TORRES
DAVE PIKE
MARIO BAUZA'
CHICO O'FARRILL
ISRAEL "CACHAO" LOPEZ
MONGO SANTAMARIA
PONCHO SANCHEZ
DIZZY GILLESPIE
FANIA ALL STARS
JOE CUBA
TITO PUENTE
CAL TJADER
FRANCISCO AGUABELLA
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